2014台北電影節將焦點對準波蘭 Taipei Film Festival turns its focus to Poland (6/27-7/19)

台北電影節-500x500-banner今年台北電影節 (6/27-7/19) 將焦點對準波蘭華沙,奇士勞斯基《電影狂》、《雙面薇若妮卡》的宿命詩意、贊努西《寂靜太陽年》的溫柔寬容、華依達《灰燼與鑽石》的歷史論證、波蘭斯基《水中刀》的人性渾沌,甚至沃伊切赫哈斯《沙漏療養院》的魔幻奇詭…大師風采在一部又一部的數位修復中被再次召喚出來。精選多部近幾年的波蘭電影代表作,像是一種今昔的時代對話,藉由影史經典與當代名作的互映,一方面對照出不同世代的影像創作與社會觀察,另一方面也更清楚地勾勒出波蘭電影的真實樣貌。更多…

2014 Taipei Film Festival (6/27-7/19) turns its focus to Poland and its abundant cinema legacies. Poetic fatalism of Kieślowski’s KNIFE IN THE WATER and DOUBLE LIFE OF VERONIQUE, tender empathy in Zanussi’s A YEAR FO THE QUIET SUN, historical dialectics from Wajda’s ASHES AND DIAMONDS, ambiguous human nature tested in Polanski’s KNIFE IN THE WATER, and the treacherous visual spectacle of THE HOURGLASS SANITORIUM presented by Wojciech J. Has…to name but a few, the beauty and timeless irreplaceability of film classics was recalled with vivid digital restoration. Along with them comes the panorama of Polish films in recent years; the conversation between now and then has reflected various visions and social observations, which has also clearly depicted a tangible spectrum of Polish films. More…